![]() This story presents a view that there really is no such thing as settlement it’s all about conquest, it explores the way in which society is built and how connections are made between people and it exposes the shameful truth of our frontier history but rather than choosing to dramatize a specific historical event ‘High Ground’ draws on contact history from a variety of locations–a fiction to illustrate a deeper truth. High Ground is a story with mythic proportions with complexity and no easy answers. It explores the themes of identity and culture and the attempts that were made to preserve and progress culture in the face of an overwhelming threat. ![]() Faced with the myth of terra nullius the aim with the film is to create a new mythology and present a different perspective on how this country was made. High Ground was conceived as a story that would challenge accepted notions of the settlement of Australia. RELATED: Simon Baker on His Coming-of-Age Directorial Debut ‘Breath’Ĭheck out what Simon Baker had to say in the player above and below is exactly what we talked about, the trailer, and director Stephen Maxwell Johnson’s statement about the film.ĭirector Stephen Maxwell Johnson’s statement:Īt the heart of High Ground is the tragic story of Frontier encounters and the missed opportunity between two cultures, black and white. Confidential and how he auditioned for the Ed Exley role that Guy Pearce landed, making Margin Call and working with such a great cast, how he’s never seen The Devil Wears Prada, why he’d like to make a film about someone that wants to get into politics, and a lot more.įinally, as someone that didn’t know a lot about Australian history, I thought High Ground was extremely well made and pulls back the curtain on a dark chapter in Australian history. During the interview, Baker talked about why he wanted to be part of this film, why it’s okay to feel uncomfortable while watching, the importance of talking about our history, and the difficulty in making films about this subject matter.
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